I have been reading several arguments from our dear Indian friends about how crappy Lollywood has become, so I decided to look at this situation from a...different perspective.
What has the great city of Lahore contributed to the nation of India?
Ok first of all, India is not in an economical position to make multi-billion rupee films that it presently produces, and we all know for a fact that the films produced now are because of the BIG money being filtered in by the underworld. So if "Bollywood" made films according to THEIR budget, the films wouldn't necessarily be worth watching right? oooops...like they are now? hmmm? Its all there, the big names, the big costumes, the big tears, the big (cheesy) dialogues...the "dishown dishwon fight scenes" but whats missing..??
Before we start hating on "Lollywood" or Lahore, lets remember Bollywood has not been able to bring quality cinema in ages ..with a few exceptions....talent is essentially non-existent, the "hit" and 'super-hit" films are nothing but 'time-pass' or trunk shows for big designers like Ritu Kumar, Manish Malhotra etc... very strategically targeting desi shopaholic housewives. (apologies for the stereotype).
One might argue that Lahore played no role in the creation of "Bollywood", lets put that myth aside..shall we....and take a minute to trace the birth of "talent" through the great city of Lahore.
First and foremost, India's Taran-e-Hindi "Saray Jahan Say Acha, Hindustan Hamara" Written by Dr.Allama Iqbal from Lahore. Yes not many Indians know much about the author hence their disability to give recognition to originality.
I should stop here and rest my case, but I feel compelled to continue.
An interesting fact I recently read:
Teji Kaur Bachchan, the mother of Amitabh Bachchan ,was a prominent lecturer in Lahore University.
::::: And now before you forget what Lahore gave "Bollywood" :::::
Prithvi Theatres was established in Lahore by Prithvi Raj Kapoor a Pathan from Peshawar, who was a stage actor in Lahore at the time. (Pop Culture India by Asha Kasbekar)
Lahore's first Film studio, United Players, was responsible for launching the career of the first woman film-maker of India (Fatima Begum) who made Bulbul-e-Paristan in 1926. (Cinema Studies by Susan Hayward)
The renowned filmmaker of India, Ramanand Sagar, from Lahore, was the head of the Bollywood production company Sagar Arts Corp, wrote, directed, and produced motion pictures, and television programs. His most famous works include the Ramayan (1987) a popular 78-part TV epic. He studied at University of Punjab, Lahore. (Britannica)
The first silent film from Lahore was The Daughter of Today, released in 1924 directed by A. K. Kardar a Lahori, who went on to become one of the most famous film directors of India during the 1930's, 40's and 50's.
His works include Sharda, Dulari, Dillagi, Shahjahan, and Jadoo, all famous for Naushad Ali’s music. (History of Pakistani Cinema by Mushtaq Gazdar)
First talkie produced from Lahore was Heer Ranjha in 1932.
The actress who played the lead in Anarkali, Shahjahan, Shireen Farhan and Daasi was Ragni, also from Lahore.
Om Prakash was given his break by Dalsukh Pancholi (Founder of Pancholi Studios in Lahore) in the Film Daasi.
Lahore gave us legends like Muhammad Rafi, Om Parkash, Dev Ananad saab, Pran saab and Balraj Sahani (one of the most talented actors in "bollywood") and many many more, who started their career in Lahore. Chaitan Anand (Dev's brother) was a famous film director in Lahore. Mohd Rafi was introduced to radio Lahore by music composer Feroz Nizami (Lahori) and made his debut as a playback singer in the Punjabi film Gul Baloch.
Dalsukh Pancholi, a film tycoon from Lahore (born in Karachi) and the founder of Pancholi Studios of Lahore, studied scriptwriting and cinematography from New York, and played an important part in the careers of stars such as Noor Jehan, Ramola, Om Prakash, music composers Ghulam Haider and O.P. Nayyar. His first film was Gul-e-Bakawli (1938) starring Noor Jehan. Ghulam Haider's "shaala jawaania" one of my personal favorites of Madam, was an instant rage.
His film Khazanchi was one of the longest running movies of its time.
Master Ghulam Haider a phenomenal music director from Lahore, was the man who gave Lata Mangeshkar the break of her career in the movie Majboor (1948)
Pran established his career in Lahore as a villan in punjabi films.
Mohd Rafi's debut also happened to occur in Lahore, at the hands of music director Shayaam Sunder and Pancholi in the film Gul Baloch.
Roshan Ara Begum from Lahore was acclaimed the best interpreter of Kirana Gharana Sytle of Khayal singing in the subcontinent. Composer O.P Nayyar, Ustad Fateh Ali, BarRay Ghulam Ali (the only film he ever sang for was for Mughal-e-Azam) free of charge... only as a favor to Naushad, all are from Lahore.
According to BBC Urdu the most expensive film of India was made in Lahore in 1934. Its cost was 18 Lakh Rupees (at that time). Its name was ‘ShireeN Farhaad’
In the film Shireen farhad (the charactar of Farhad was played by Jayant a Muslim Pathan, father of Amjad Khan whose name is synonymous with the legendary villan of Bollywood Gabbar Singh)
Khurshid Begum and Shamshad Begum--the playback singer made her debut from Peshawar Radio in Lahore. (Not the classical singer Shamshad begum, Saira Banu's grandmother)
Father of the Chopras, B. R. Chopra was born in Lahore. He studied journalism, directed/produced plays, and worked as a film critic in Lahore. Yash Chopra, B. R’s younger brother was born in Lahore as well, later he joined his brother in Bombay to start their own production house.
B.R. Chopra was working on his first film Chandni Chowk when the partition riots began.
Academy Award winner lyricist Gulzar was born in Jehlum, Punjab.
Academy Award winner Shekhar Kapur of Bandit Queen and Elizabeth is too from Lahore. (He is the nephew of Dev Anand)
Grandpa Roshan (Roshan Lal) from Gujranwala, Lahore, was given a chance as an assistant by another Lahori musician, Khwaja Khurshid Anwar (who was in Bombay at the time).
Rudyard Kipling was also a Lahori.
Actress Meena Shorey (Khurshid) the "Lara Lapa" girl one of the earliest bombshells of Bollywood was from Lahore (Raiwind).
Her husband was Roop K. Shorey, a Quetta-born actor/director, and the owner of Kamla Movietone in Lahore. He later moved to India after the partition. His film Mangti ran over 75 weeks in Lahore in the forties, making it his most profitable film.
Actresses Kamni Kaushal, kuldeep kaur,and Anupam Kher are from Lahore
Suraiya (singer and actress) hails from Sialkot.
K. L. Saigal (singer) acquired fame in Lahore then later moved to Calcutta. His last film was in 1947, music composed by Khwaja Khurshid Anwar from Lahore.
Famous Musicians from Lahore who migrated later.
Pundit Amarnath, Shayum Sunder, Gobind Ram, Lachi Ram, Dhanni Ram were more than compensated by the arrival of Ustad Sardar Khan, Ustad Akhter Hussain Khan, Bundoo Khan, Nazakat Ali, Salamat Ali, Amanat Ali Fateh Ali, Bhai Lal and Ghulam Hassan Shaggan. There were musicians who were already in Lahore like Bade Ghulam Ali Khan, Inayat Bai Dheerowali, Shamshad Begum, Sohni, Alamgir Khan, Sadiq Ai Mando.
Khayyam the music composer of Umrao-Jaan fame started his career in Lahore.
Many pre-partition films were produced in Lahore. Lahore was considered the 'launchpad' for new actors, directors and producers.
Pre-partition, Lahore happened to be the Head Quarters of India's Northern Circuit in the mid-forties.
There were three major cinemas in the city that primarily showed punjabi films. (Aijaz Gul)
**Partition came with gains and losses for both countries.**
Noorjehan and her director-editor husband Shaukat Rizvi, actor-director Nazir and her actress wife Swaran Lata, director Subtain Rizvi, composers Master Ghulam Haider, Khwaja Khursheed Anwar, and producer-director W.Z.Ahmad all moved during partition.
Sahir Ludhianvi (Abdul Hayee) started his career in Lahore as a lyricist/poet, who later went on to become one of he biggest lyricist in Bollywood.
Raj Kumar of Mother India fame was born in Baluchistan, and who can forget the tragedy king Dilip Kumar (Yousuf Khan) from Peshawar, its not Lahore but yes its this side of the border.
Pundit Nehru, after watching the film Intezar(1956) lifted the ban in India on Pakistani films, and first time after the partition, a Pakistani film was shown in Indian theaters. The cinema walls in Delhi read this:
"Woh geet jo aaj tak aap ne nahin sunay, Woh naghme jo Noor Jehan ne aaj tak nahin gaey".
The love for music in the subcontinent lead Noor Jehan to jump start the careers of many music directors and filmmakers as she took over through her singing and acting talents. After listening to her voice one can forget the boundaries drawn by man. She was and is a wonder that shall remain with us forever.
Recently Lahore has given India Noor Jehan, Nusrat Fateh Ali, Sabri Brothers, Adnan Sami Khan, Reshma, Mehdi Hassan, Abida Parveen, Tassawar Khanum, Atif Aslam Ghulam Ali, Rahat Fateh, Shafqat Amanat Ali---- for their talent truly saturates Bollywood.
Numerous Bollywood films and Indian music directors have taken credit for their work.
Yet they say Lahore has given them nothing? hmm?
These are just a few examples of how Lahore has contributed to the success of "Bollywood"
I find it sad how a line drawn on the map can make people so ungrateful and hostile when it comes to giving credit to such great artists and the great city that produced them.
(The author is the grand daughter of Kh. Khursheed Anwar and currently resides in USA)